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44

WEDNESDAY, FEBRUARY 10

Yanic and I have a scene at the Dragonfly where he’s upset that all the A-list actors in town to shoot a movie are staying at a rival inn and the Dragonfly is stuck with the B-list actors. It culminates with him moaning, “We will never bag Jennifer Lawrence, and what’s the point of living if you can’t bag Jennifer Lawrence!” Yanic’s Michel has always been a terrific comedic character, but in this series he gets to really shine, and we had a wonderful time in our scenes together.

Then Paul Anka (the person, not the dog) arrives, to be in Lorelai’s anxiety dream. He (the person, not the dog) is hilarious and professional, and he looks like a million bucks. Although we’ve worked together before, I get weirdly shy around him and out of nowhere ask him how many kids he has. Like, we weren’t talking about kids or anything related to them. He probably just said he had a great pasta at lunch, and I replied, “How many kids do you have?” What a weirdo.

THURSDAY, FEBRUARY 11

President Obama is a guest on The Ellen DeGeneres Show today, and the lot is in a security tizzy. I’m called in earlier than needed “in case they jam all the cellphones.” Um, they can do that? We’re shooting the scene where Lorelai tells Luke she’s going away to “do Wild” (the book, not the movie). I say the line “I know” thirteen times, but it’s an oddly emotional scene—the beginning of a big journey for Luke and Lorelai.

FRIDAY, FEBRUARY 12

Dax Shepard is in the hair and makeup trailer! Worlds collide. He’s getting a haircut from one of the stylists he knows who’s working with us, and drinking a green juice in preparation for starring in CHiPs, which he also wrote and directed. Not only is he obviously some sort of genius, but his already nonexistent body fat has gone down to the level of Mount Everest’s. What’s that? Mountains don’t have body fat? Neither does Dax Shepard. He gives me one of his signature full-body-contact hugs. Nice way to start the day!

TUESDAY, FEBRUARY 16

Throughout the shoot, for general security and to prevent being seen by all of you industrious Internet cuties, our scripts and sides (the mini-scripts of the day’s work) are all watermarked with our names on them. That way, if something leaks, they know who’s to blame. The sides are numbered as well, to keep track of how many copies are circulating. I tend to lose things on set to a ridiculous degree: glasses, purses, phones. I’m always stashing things behind a cushion somewhere and then forgetting where I put them. I lose my sides ten times a day and am always borrowing someone else’s. So, as a joke, even if I’m only on my first sides of the day, they’re marked LG #4, as if I’ve already lost three before we’ve even started. Hahahahaha! I’ll get you, AD staff!

Eddy, my agent, comes to visit. Well, let’s be honest—he came to visit his other client on the lot, World Pro Wrestling champion Ellen DeGeneres. At least that’s what she does for a living in my book! She can’t cut to commercial here! I’m drunk with power! Eddy tells me he has “medium to high expectations” regarding the outcome of the show, which, in agent-speak, means…well, I’m pretty sure he just proposed marriage.

Sarah Ramos, who played my niece on Parenthood, also comes to visit today. I put her in the background of one of the scenes. Can you spot her?

My regular hair magician, Anne Morgan, is out for the day, and one of my favorite hair dudes, Jonathan Hanousek, is playing sub. He always knows the latest in top-secret Hollywood secrets, and today he tells me about software being developed for a camera that detects eye and mouth movement but softens everything else on a person’s face into a pleasingly smooth facelike blob. It’s designed to help older actors look younger, I guess? Wow, weird—and where do I apply for this blob technology?

MONDAY, FEBRUARY 22

Sutton Foster is in town. SUTTON FOSTER IS IN TOWN. She’s just here for fittings and rehearsal, but will be back in a few weeks to shoot her scenes.

I feel like we could play sisters in something. Do you?

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