فصل 102

CHAPTER 102

BUENOS AIRES, Argentina, three years later:

Barney and Lillian Hersh walked near the Obelisk on the Avenida 9 de Julio in the early evening. Ms. Hersh is a lecturer at London University, on sabbatical. She and Barney met in the anthropology museum in Mexico City. They like each other and have been traveling together two weeks, trying it a day at a time, and it is getting to be more and more fun. They are not getting tired of one another.

They had arrived in Buenos Aires too late in the afternoon to go to the Museo Nacional, where a Vermeer was on loan. Barney’s mission to see every Vermeer in the world amused Lillian Hersh and it did not get in the way of a good time. He had seen a quarter of the Vermeers already, and there were plenty to go.

They were looking for a pleasant café where they could eat outside.

Limousines were backed up at the Teatro Colón, Buenos Aires’ spectacular opera house. They stopped to watch the opera lovers go in.

Tamerlane was playing with an excellent cast, and a Buenos Aires opening night crowd is worth seeing.

“Barney, you up for the opera? I think you’d like it. I’ll spring.”

It amused him when she used American slang. “If you’ll walk me through it, I’ll spring,” Barney said. “You think they’ll let us in?” At that moment a Mercedes Maybach, deep blue and silver, whispered up to the curb. A doorman hurried to open the car.

A man, slender and elegant in white tie, got out and handed out a woman. The sight of her raised an admiring murmur in the crowd around the entrance. Her hair was a shapely platinum helmet and she wore a soft sheath of coral frosted with an overlayer of tulle. Emeralds flashed green at her throat. Barney saw her only briefly, through the heads of the crowd, and she and her gentleman were swept inside.

Barney saw the man better. His head was sleek as an otter and his nose had an imperious arch like that of Perón. His carriage made him seem taller than he was.

“Barney? Oh, Barney,” Lillian was saying, “when you come back to yourself, if you ever do, tell me if you’d like to go to the opera. If they’ll let us in in mufti. There, I said it, even if it’s not precisely apt—I’ve always wanted to say I was in mufti.” When Barney did not ask what mufti was, she glanced at him sidelong. He always asked everything.

“Yes,” Barney said absently. “I’ll spring.” Barney had plenty of money. He was careful with it, but not cheap. Still, the only tickets available were in the rafters among the students.

Anticipating the altitude of his seats, he rented field glasses in the lobby.

The enormous theater is a mix of Italian Renaissance, Greek and French styles, lavish with brass and gilt and red plush. Jewels winked in the crowd like flashbulbs at a ball game.

Lillian explained the plot before the overture began, talking in his ear quietly.

Just before the houselights went down, sweeping the house from the cheap seats, Barney found them, the platinum blond lady and her escort. They had just come through the gold curtains into their ornate box beside the stage. The emeralds at her throat glittered in the brilliant houselights as she took her seat.

Barney had only glimpsed her right profile as she entered the opera. He could see the left one now.

The students around them, veterans of the high-altitude seats, had brought all manner of viewing aids. One student had a powerful spotting scope so long that it disturbed the hair of the person in front of him. Barney traded glasses with him to look at the distant box. It was hard to find the box again in the long tube’s limited field of vision, but when he found it, the couple was startlingly close.

The woman’s cheek had a beauty spot on it, in the position the French call “Courage.” Her eyes swept over the house, swept over his section and moved on. She seemed animated and in expert control of her coral mouth. She leaned to her escort and said something, and they laughed together. She put her hand on his hand and held his thumb.

“Starling,” Barney said under his breath.

“What?” Lillian whispered.

Barney had a lot of trouble following the first act of the opera. As soon as the lights came up for the first intermission, he raised his glass to the box again. The gentleman took a champagne flute from a waiter’s tray and handed it to the lady, and took a glass himself. Barney zoomed in on his profile, the shape of his ears.

He traced the length of the woman’s exposed arms. They were bare and unmarked and had muscle tone, in his experienced eye.

As Barney watched, the gentleman’s head turned as though to catch a distant sound, turned in Barney’s direction. The gentleman raised opera glasses to his eyes. Barney could have sworn the glasses were aimed at him. He held his program in front of his face and hunkered down in his seat to try to be about average height.

“Lillian,” he said. “I want you to do me a great big favor.”

“Um,” she said. “If it’s like some of the others, I’d better hear it first.”

“We’re leaving when the lights go down. Fly with me to Rio tonight. No questions asked.” The Vermeer in Buenos Aires is the only one Barney never saw.