Intersections II: Scarlet Furies and Red Destinies LONDON, OCTOBER 31–NOVEMBER 1, 1901

Though any night at the circus can rightfully be called magical,” Herr Friedrick Thiessen once wrote, “All Hallows’ Eve is something special. The air itself crackles with mystery.”

This particular Hallowe’en night is cold and crisp. The boisterous crowd is clothed in heavy coats and scarves. Many of them wear masks, faces lost in swatches of black and silver and white.

The light in the circus is dimmer than usual. The shadows seem to creep from every corner.

Chandresh Christophe Lefèvre enters the circus without notice. He picks up a silver mask from a basket by the gates and slips it over his face. The woman in the ticket booth does not recognize him when he pays his admission in full.

He wanders through the circus like a man in a dream.

The man in the grey suit does not wear a mask. He walks leisurely, with a calm, almost lazy gait. He has no particular destination in mind, wandering from tent to tent. Some he enters, others he passes by. He purchases a cup of tea and stays in the courtyard, watching the bonfire for a while before wandering back into the paths amongst the tents.

He has never attended the circus before, and he appears to be enjoying himself.

Chandresh follows him, every move, every stop. Pursues him through tents and watches him pay for his tea in the courtyard. He stares at the ground near the man in the grey suit’s feet, looking for his shadow, though he is thwarted by the ever-shifting light.

Other than Chandresh, no one pays him any notice. Passersby do not look at him, not even a glance is spared despite his height and his pristine grey suit and top hat. Even the girl who sells him tea barely registers him, turning quickly to her next customer. He slides through the circus like a shadow. He carries a silver-tipped cane that he does not use.

Chandresh loses him in the crowd more than once, the grey falling into a blur of black and white dotted with color from the patrons. It never takes him long to spot the grey top hat again, but in the intervals between he becomes nervous to the point of shaking, fidgeting with his coat and the contents of his pockets.

Chandresh mutters to himself. Those that pass by him close enough to hear look at him strangely and make an effort to avoid him.

Following Chandresh is a young man he would not recognize even if he were to look him in the eye, but still the man keeps his distance. Chandresh’s attention remains only on the man in the grey suit, and it does not once wander to this other man who bears a passing resemblance to his assistant.

Marco keeps a steady grey-green eye on Chandresh, wearing no mask on a face only Celia would recognize, and the illusionist is otherwise occupied.

This goes on for quite some time. Mr. A. H— tours the circus leisurely. He visits the fortune-teller, who does not recognize him but lays his future out in polite rows of cards, though she admits that bits of it are overlapping and confusing. He watches the illusionist perform. She acknowledges his presence with a single, subtle nod. He tours the Hall of Mirrors, countless figures in matching grey suits and top hats accompanying him. He rides the Carousel. He appears particularly fond of the Ice Garden.

Chandresh follows him from tent to tent, waiting outside the ones he does not enter, drenched in ever-increasing anxiety.

Marco loses track of both of them only briefly, when he takes a few moments to attend to another matter.

The clock by the gates ticks off the minutes later and later, the ornaments upon it twirling and shifting.

October slips into November, a change that goes largely unnoticed other than by those standing closest to the clock.

The crowd grows thinner. Masks are returned to the baskets in the courtyard and by the gates, jumbled piles of empty eyes and ribbons. Children are dragged away with promises that they may return the next evening, though the circus will not be there the next evening and later those children will feel slighted and betrayed.

In a passage near the back of the circus, which is somewhat wide and filled with only a handful of patrons, Mr. A. H— stops. Chandresh watches him from a short distance away, unable to see clearly why he has halted, though he might be conversing with someone. Through his mask, Chandresh sees only the still grey suit, the hovering top hat. He sees an open target with nothing standing in between.

He hears the echo of a voice assuring him that the man is not real. A figment of his imagination. Nothing but a dream.

Then there is a pause. For just a moment, time slows like something falling while fighting with gravity. The chill breeze that has circled through the open paths of the circus stops. In that moment nothing flutters, not the fabric of the tents or the ribbon ties of dozens of masks.

In the tallest tent, one of the acrobats loses her perfect balance, falling some distance before one of her fellow performers catches her, only narrowly avoiding crashing to the ground.

In the courtyard, the bonfire sputters and sparks in a sudden cloud of black smoke, causing those patrons closest to it to jump back, coughing.

The kitten that leaps through the air from Poppet’s hands to her brother’s suddenly twists in the air, landing on its back rather than its feet and rolling toward Widget with an indignant howl.

The illusionist pauses, her seamless performance halted as she stands frozen, her face suddenly deathly pale. She sways as though she might faint, and several attentive audience members move to assist her but she does not fall.

Marco crumples as though punched in the stomach by an invisible assailant. A passing patron catches his arm to steady him.

And Chandresh Christophe Lefèvre pulls the heavy silver knife from his coat pocket and throws it without hesitation.

The knife flies from Chandresh’s hand, blade over handle, spinning in perfect revolutions through the air.

Its aim is precise and steady. As true as such things can be.

Then its target moves.

The tailored grey wool that makes up the back of Mr. A. H—’s suit shifts. He moves ever so slightly to the side. It is a graceful step. An unconscious gesture. A movement of weight in space.

And so the knife brushes by his sleeve, and comes to rest instead in the chest of the man he is speaking with. The blade sliding through his unbuttoned black coat easily, hitting his heart as though it had always been its intended target, the silver handle jutting out just beneath his crimson scarf.

Mr. A. H— catches Herr Friedrick Thiessen as he slumps forward.

Chandresh stares at his empty hand as though he cannot recall what he was holding moments before. He staggers off, wandering back in the direction of the bonfire courtyard. He forgets to remove his mask when he leaves, and when he finds it discarded in his town house the next day, he cannot remember where it came from.

Mr. A. H— lowers Herr Thiessen to the ground, speaking a constant string of words over him in tones too low for anyone to overhear. The scattered patrons around them notice nothing at first, though some are distracted by the fact that the two young performers a few feet away have suddenly ceased their show, the boy in the black suit gathering up the visibly agitated kittens.

After a long moment, Mr. A. H— stops speaking and passes a grey-gloved hand over Herr Friedrick Thiessen’s face, gently closing his surprised eyes.

The silence that follows is shattered by Poppet Murray’s screaming as the pool of blood on the ground spreads beneath her white boots.

Before the shock turns into chaos, Mr. A. H— gently removes the silver-handled knife from Herr Thiessen’s chest and then he stands and walks away.

As he passes by a baffled, still-unsteady Marco, he hands him the blood-covered knife without so much as a word or a glance before disappearing into the crowd.

The handful of patrons who witness the event are ushered quickly away. Later they assume it was a clever stunt. A touch of theatricality for the already festive evening.