شنبه یازدهم جولای 1942

SATURDAY, JULY 11, 1942

Dearest Kitty,

Father, Mother and Margot still can’t get used to the chiming of the Westertoren clock, which tells us the time every quarter of an hour. Not me, I liked it from the start; it sounds so reassuring, especially at night. You no doubt want to hear what I think of being in hiding. Well, all I can say is that I don’t really know yet. I don’t think I’ll ever feel at home in this house, but that doesn’t mean I hate it. It’s more like being on vacation in some strange pension. Kind of an odd way to look at life in hiding, but that’s how things are. The Annex is an ideal place to hide in. It may be damp and lopsided, but there’s probably not a more comfortable hiding place in all of Amsterdam. No, in all of Holland.

Up to now our bedroom, with its blank walls, was very bare. Thanks to Father-who brought my entire postcard and movie-star collection here beforehand-and to a brush and a pot of glue, I was able to plaster the walls with pictures. It looks much more cheerful. When the van Daans arrive, we’ll be able to build cupboards and other odds and ends out of the wood piled in the attic.

Margot and Mother have recovered somewhat. Yesterday Mother felt well enough to cook split-pea soup for the first time, but then she was downstairstalking and forgot all about it. The beans were scorched black, and no amount of scraping could get them out of the pan.

Last night the four of us went down to the private office and listened to England on the radio. I was so scared someone might hear it that I literally begged Father to take me back upstairs. Mother understood my anxiety and went with me. Whatever we do, we’re very afraid the neighbors might hear or see us. We started off immediately the first day sewing curtains. Actually, you can hardly call them that, since they’re nothing but scraps of fabric, varying greatly in shape, quality and pattern, which Father and I stitched crookedly together with unskilled fingers. These works of art were tacked to the windows, where they’ll stay until we come out of hiding.

The building on our right is a branch of the Keg Company, a firm from Zaandam, and on the left is a furniture workshop. Though the people who work there are not on the premises after hours, any sound we make might travel through the walls. We’ve forbidden Margot to cough at night, even though she has a bad cold, and are giving her large doses of codeine.

I’m looking forward to the arrival of the van Daans, which is set for Tuesday. It will be much more fun and also not as quiet. You see, it’s the silence that makes me so nervous during the evenings and nights, and I’d give anything to have one of our helpers sleep here.

It’s really not that bad here, since we can do our own cooking and can listen to the radio in Daddy’s office.

Mr. Kleiman and Miep, and Bep Voskuijl too, have helped us so much. We’ve already canned loads of rhubarb, strawberries and cherries, so for the time being I doubt we’ll be bored. We also have a supply of reading material, and we’re going to buy lots of games. Of course, we can’t ever look out the window or go outside. And we have to be quiet so the people downstairs can’t hear us. Yesterday we had our hands full. We had to pit two crates of cherries for Mr. Kugler to can. We’re going to use the empty crates to make bookshelves. Someone’s calling me.

Yours, Anne

COMMENT ADDED BY ANNE ON SEPTEMBER 2g, 1942: Not beina able to ao outside upsets me more than I can say, and I’m terrified our hidina place will be discovered and that we’ll be shot. That, of course, is a fairly dismal prospect.

SUNDAY, JULY 12, 1942

They’ve all been so nice to me this last month because of my birthday, and yet every day I feel myself drifting further away from Mother and Margot. I worked hard today and they praised me, only to start picking on me again five minutes later.

You can easily see the difference between the way they deal with Margot and the way they deal with me. For example, Margot broke the vacuum cleaner, and because of that we’ve been without light for the rest of the day. Mother said, “Well, Margot, it’s easy to see you’re not used to working; otherwise, you’d have known better than to yank the plug out by the cord.” Margot made some reply, and that was the end of the story.

But this afternoon, when I wanted to rewrite something on Mother’s shopping list because her handwriting is so hard to read, she wouldn’t let me. She bawled me out again, and the whole family wound up getting involved. I don’t fit in with them, and I’ve felt that clearly in the last few weeks. They’re so sentimental together, but I’d rather be sentimental on my own. They’re always saying how nice it is with the four of us, and that we get along so well, without giving a moment’s thought to the fact that I don’t feel that way.

Daddy’s the only one who understands me, now and again, though he usually sides with Mother and Margot. Another thing I can’t stand is having them talk about me in front of outsiders, telling them how I cried or how sensibly I’m behaving. It’s horrible. And sometimes they talk about Moortje and I can’t take that at all. Moortje is my weak spot. I miss her every minute of the day, and no one knows how often I think of her; whenever I do, my eyes fill with tears. Moortje is so sweet, and I love her so much that I keep dreaming she’ll come back to us.

I have plenty of dreams, but the reality is that we’ll have to stay here until the war is over. We can’t ever go outside, and the only visitors we can have are Miep, her husband Jan, Bep Voskuijl, Mr. Voskuijl, Mr. Kugler, Mr. Kleiman and Mrs. Kleiman, though she hasn’t come because she thinks it’s too dangerous. COMMENT ADDED BY ANNE IN SEPTEMBER 1942: Daddy’s always so nice. He understands me perfectly, and I wish we could have a heart-to-heart talk sometime without my bursting instantly into tears. But apparently that has to do with my age. I’d like to spend all my time writing, but that would probably get boring. Up to now I’ve only confided my thoughts to my diary. I still haven’t gotten around to writing amusing sketches that I could read aloud at a later date. In the future I’m going to devote less time to sentimentality and more time to reality.