فصل 19

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فصل 19

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19

It is hard to be a woman.

You must think like a man,

Act like a lady,

Look like a young girl,

And work like a horse.

—A sign that hangs in my house Sisterhood Above all, be the heroine of your life, not the victim.

—Nora Ephron On Being a Woman in Politics

In these pages, I put to paper years’ worth of frustration about the tightrope that I and other women have had to walk in order to participate in American politics. I have a lot to say—I could fill an entire book—and not all of it is upbeat or even-tempered. But there is joy and pride to be found in this chapter, too. My experiences as a woman in politics have been complex and disappointing at times, but ultimately rewarding beyond measure.

In politics, the personal narrative is vital.

My husband had a powerful story to tell: he lived for a while on a farm with no indoor plumbing, his father died before he was born, he stopped his stepfather from beating his mother, he became the first in his family to go to college.

Barack Obama had a powerful story to tell: he was raised by his teenage mom and grandparents, his father was Kenyan, he spent part of his childhood living in Indonesia and grew up to become a community organizer and law professor whose story could have been written only in America.

Few people would say that my story was quite so dazzling.

I grew up in a white middle-class family in Park Ridge, a suburb of Chicago. My dad served during World War II and left every morning for his small business in the city along with all the other fathers in our neighborhood heading to their jobs. My mom stayed at home to take care of my brothers, Hugh and Tony, and me, like all the mothers in our neighborhood. And my life looked like the lives of all the girls I knew. We attended excellent public or parochial schools, where first-rate teachers had high expectations for us. I went to our local Methodist church for Sunday services and youth activities all week long. I was a Brownie, then a Girl Scout. I got my first summer job when I was thirteen, working at a park three mornings a week. My hangouts were everyone’s hangouts: the public library, the local movie theater, swimming pools, skating rinks. My family watched TV together at night. When the Beatles performed for the first time on The Ed Sullivan Show in 1964, my friends and I gathered together around the screen, alternately silently captivated and shrieking with glee.

It’s a story that many would consider perfectly ordinary. Don’t get me wrong: I loved my childhood, and every year that passes, I appreciate more how hard my parents worked to give it to me. But my story—or at least how I’ve always told it—was never the kind of narrative that made everyone sit up and take notice. We yearn for that showstopping tale—that one-sentence pitch that captures something magical about America; that hooks you and won’t let go. Mine wasn’t it.

Yet there is another story of my life; one that I believe is as inspiring as any other. I wish I had claimed it more publicly and told it more proudly. It’s the story of a revolution.

I was born right when everything was changing for women. Families were changing. Jobs were changing. Laws were changing. Views about women that had governed our lives for millennia were changing—finally! I came along at just the right moment, like a surfer catching the perfect wave. Everything I am, everything I’ve done, so much of what I stand for flows from that happy accident of fate.

The fact that the women’s movement happened alongside the civil rights movement—indeed, was entwined with it in many ways, compelling America to reckon with entrenched notions of human value and opening doors of opportunity that had previously been sealed shut to millions—made it that much more thrilling and meaningful.

I know that for a lot of people, including a lot of women, the movement for women’s equality exists largely in the past. They’re wrong about that. It’s still happening, still as urgent and vital as ever.

And it was and is the story of my life—mine and millions of other women’s. We share it. We wrote it together. We’re still writing it. And even though this sounds like bragging and bragging isn’t something women are supposed to do, I haven’t just been a participant in this revolution. I’ve helped lead it.

I was one of just 27 women out of 235 students in my class at Yale Law School. The first woman partner at the oldest law firm in Arkansas. The first woman to chair the national board of the Legal Services Corporation. The person who declared on the world stage that “human rights are women’s rights and women’s rights are human rights.” The first First Lady to be elected to public office. The first woman Senator from New York. In fact, for a few weeks, I was both. By a quirk of the calendar, I was sworn in before Bill left office.

And I was the first woman to be nominated for President by a major political party and win the national popular vote.

I never figured out how to tell this story right. Partly that’s because I’m not great at talking about myself. Also, I didn’t want people to see me as the “woman candidate,” which I find limiting, but rather as the best candidate whose experience as a woman in a male-dominated culture made her sharper, tougher, and more competent. That’s a hard distinction to draw, and I wasn’t confident that I had the dexterity to pull it off.

But the biggest reason I shied away from embracing this narrative is that storytelling requires a receptive audience, and I’ve never felt like the American electorate was receptive to this one. I wish so badly we were a country where a candidate who said, “My story is the story of a life shaped by and devoted to the movement for women’s liberation” would be cheered, not jeered. But that’s not who we are. Not yet.

Maybe it’s because we take this story for granted—yeah, yeah, the women’s movement happened, why are we still talking about it? Maybe it’s too female. Maybe it’s at once too big (a sweeping historical shift) and too small (just another middle-class Midwestern girl finding her way in the world).

But I do think it’s special.

It’s not a typical political narrative, but it’s mine.

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